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07.03.18
Tour

Antonia Bañados – Emerging Artist of the Week

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rain in slow motion
rain in slow motion

 

 

Our Emerging Artist of the Week is Antonia Bañados:

Antonia Bañados
Antonia Bañados

 

What are you working on right now?

I just finished a solo show in called Guidelines for Chaos, which is a series of paper works and installation of glass and ceramic pieces simulating the exploration of an alternative landscape. Now I’m going prepared another show for the Geological Museum of Lisbon, working with the estructure of a museum collection but in this time using the observation of drops of water, and the submersion of solids into water as a subject of study. It’ll be called Tsupu, which is a Quechua word. Also I’m starting to experiment with narrative and making tests with animation and the shape of comic for creating sequences, movements and the suggestions of events.

 

What is your art about?

My work explores the perception of the temporal and spatial scale through the relationship between natural phenomena (for example astronomical or geological) with events or objects of our next reality. Like that the impact of falling a drop of water can be homologated with the formation of a picture, rain with the formation of a landscape, and an accumulation of pieces with a decay of a metropolis in the process of becoming ruins.

I investigate visual strategies that dialogue with the limits of scientific objectivity, through the use of aquariums, traditional techniques of sculpture, and their registration and transfer to film language for the creation of spaces or habitable systems.

 

Do you find your immediate surrounding inspirational? 

I usually gets most of my ideas by walking on the street or in my daily life experience. I’m very attracted by the way cities are constructed and different types of and details of architecture, and their relation with nature. In that sense travels to other countries and cities are the most stimulating as I need to decode an other language in a way.

 

Which artists or what kind of art has the greatest impact on your work?

There’s lot of artists that have a great impact on me, but I really love the work of the french artist Pierre Huyghe. He works with videos and aquarium and living installations. I also got really impressed by the work of the duo Janet Cardiff and George Miller, they also work with installations that deal with different mediums (cinema, theatre, mobiles, etc) , you can enter them sometimes and get inside of the experience. There is a series of painter that I love. I think the watercolours of the duo “Los Carpinteros” are fantastic, as well as the pencil drawings of Paul Noble.

 

How does the internet influence your way of working as an artist?

I think the internet influence me in different levels: on one hand it is a massive help to access to images that later I use as reference or as a stating point for a work. Also stories that serve as inspiration. On the other hand, sometimes the feedback that you can get though the media presence can modify you perception of the work, for good or bad. Everything now has a virtual presence a work continues further ahead from its physical exhibition.

 

Discover more works by Antonia Bañados.

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19.01.18
Artists

Stephan Jäschke – Emerging Artist of the Week

 

CAVIAR Biro on Reflex layout paper 75g_qm 210x297 mm 2017 Kopie
CAVIAR Biro on Reflex layout paper 75g_qm 210x297 mm 2017 Kopie
Orange auf Matisse Öl auf Leinwand 40x45 cm 2016 (aus der Serie
Orange auf Matisse Öl auf Leinwand 40x45 cm 2016 (aus der Serie
UNTITLED Acrylic on canvas 40x50 cm 2015 Kopie
UNTITLED Acrylic on canvas 40x50 cm 2015 Kopie

 

Take a look at our new Emerging Artist!

_IGP3404 Kopie
_IGP3404 Kopie

 

What are you working on right now?

In the course of the debate last year i had with predominantly female role models and stereotypes of tattoos, violence and drug use in the field of artistic “bohemians” I developed a series of ballpoint pen drawings. From this series, I took ten sheets and will create a graphic publication. It will be finished during spring and presented to the public. In addition, I am currently preparing an artwork for a group exhibition in Hamburg in the gallery Melike Bilir (http://www.melikebilir.com) and plan an exhibition with Maria Schumacher in the artspace KASKL (http://kaskl.de) in Berlin. In April I participate in a group exhibition in Kiel and in summer I curate a solo exhibition of the painter Patrick Eicke in the gallery Genscher (https://galerie-genscher.com) in Hamburg. A lot to do!

What is your art about?

self reflection, expectations, prejudices, clichés, perception, casualness, situations, conditions, triviality, the so called reality, traditions in art history and classic themes of painting.

Do you find your immediate surrounding inspirational?

I live in Lübeck for five years and have to say that this certain isolation inspires me to such an extent that it allows me to really focus on my work. I am much closer to myself. And if i like, I drive to Hamburg and can have great art, colleagues and discussions! Also in Lübeck I have met some very interested and interesting people over the last few years and meet regularly with some of them in my studio for stimulating debates. I also feel closer to nature, the Baltic Sea is around the corner and the countryside of Schleswig-Holstein is beautiful.

Which artists or what kind of art has the greatest impact on your work?

At the age of 14 I started to get to know art, especially painting, of the 20th century, beginning with classical modernism and impressionism. Since then, I have dealt with a large part of the well-known art history. My perception opened up so much that almost every new experience inspires me. Everything i read, see or hear about art, design, philosophy and psychology influences my thinking and therefore my work. Two of my favorite artworks are the „Base of the world“ („Socle du monde”, 1961, iron, bronze) by Piero Manzoni and Hans Haackes „Condensation Cube“ from 1967. The´re so good!

How does the internet influence your way of working as an artist?

It helps me stay connected with the people in the distance. I can order every material i need. Of course, it speeds up the communication in general and helps, for example, to plan and implement exhibitions far away. Media such as instagram can be helpful in seeing new art and making contacts. The perception of the world is changing due to the filtered, artificially edited images on the Internet. A series of paintings by me relates to the contemporary aesthetic of social media. The series is called “Fruit on art book” and shows exactly that, a fruit is on an open catalog of a painter i respect. For example „Orange on Matisse“:)

Discover more works by Stephan Jäschke.

09.01.18
Tour

Jan-Hendrik Pelz – Emerging Artist of the Week

This week’s Emerging Artist is Jan-Hendrik Pelz.

 

What are you working on right now?

Currently I work together with Johanna Mangold at our video work
„Zaubertrank“ („Magic Potion“). For this work we will brew a magic potion that transforms us into the greatest artists in the world. After detailed research in the field of magic, we collected the appropriate ingredients. We documented every ingredient, corresponding searches and mythical rituals by video. In the course of our video work we perform 23 rituals, which finally will add up to one complete artwork. We are still working on performing and filming the collection of a few remaining ingredients. In a performance as part of a future exhibition, we will concoct the elixir, and at the close, drink it. Jonathan Meese has a guest role: He have to cut three of his hair.
Another project I participate is „Horst & Maria“. It´s about two fictional characters, created by Christian Jankowski and 27 other artists based in Germany, as part of an artist in residency program in Istanbul. The duo always wears blonde wigs and matching outfits. Only their names and haircuts indicate a difference in gender. During their six-month stay at the Tarabya Cultural Academy in Istanbul, Horst & Maria have sequentially been “inhabited” by all 28 artists. Together they recorded their individual experiences through a series of photographs and a shared diary. The 568-page book published now by Walther König represents Horst & Maria´s time in Turkey across three different languages – German, Turkish and English. It will be presented at 2th of November 2017 at the exhibition titled “House of Wisdom” curated by Collective Çukurcuma as part of the public program of the 15th Istanbul Biennial. The publication of the book will be celebrated by a series of Horst & Maria performances.

 

What is your art about?

Many of my works take on the medium itself or put the medium to the test. My artistic position moves across borders between media, whereby painting and conceptual approaches are fused with performative elements. Among the key starting points of my work are the search for strategies to unveil new ways of image composition, the engagement of the artist as creator, as well as heteronymous influences on the artistic process. The themes in the field of performance and video art revolve around social processes, the integration of urban space as well as its residents, the employment of familiar formulas and their alienation as well as the examination of the self with regard to the observer’s reflections. Work on individual series and bodies of works, some of which are created in collaboration with a team, often extends over a long period of time. Almost always, several pieces are worked on simultaneously. The artistic idea is paramount for me. The idea provides the framework, and this in turn affects how I approach the subject. I’m always looking for ways to leave behind traditional approaches to image creation, and to develop and apply new or alternative methods. For the «Favorites» series that I produced between 2013 and 2015, I asked 66 artists to tell me their favorite flm and give an arbitrary series of numbers as a time code. Then I stopped the flms at the relevant point and converted the resulting unforeseeable stills into paintings. This resulted in 66 oil paintings based on the collaboration between me and the other artists who had named their flms and guided me towards the images. The fnal composition was determined at random by the spontaneous identifcation of the time code numbers.

 

Do you find your immediate surrounding inspirational?

I get inspiration from different aspects, the most important spheres are projects of other artists, physics, psychology and mystic. But also my environment inspires me all the time. I very much like working in teams with different people. Crossing the boundaries into another area is always inspiring and productive. Artists who only concern themselves with the field of artistic endeavor generally find it difficult to recognize new stimuli and risk spinning in circles. Ultimately this is the case for every area of work.

 

Which artists or what kind of art has the greatest impact on your work?

There´s no individual kind of art or artist which has great impact on me – it´s the history of art themselves. I´m interested in the changing role of the artist in society and the influence of history on contemporary art. Art is a long line of quotations, we´re all under permanent influence.

 

How does the internet influence your way of working as an artist?
I have a very personal relationship with digitalization and the internet. My generation grows up with ever-changing improvements of virtual, digital and computer-based possibilities. Looking back, I think I’ve actually grown into the digital age. I am part of the generation that was born analog and grew up digital: sent my first email in primary school, had my first ICQ chat in the eighth grade, then posted photos on Facebook – though I don’t do the latter
any more. As with all fundamental social changes, I think you can make arguments for and against digitalization. If it’s handled well and is integrated properly, there are more pluses than minuses; but this requires both sides – people and technology – to adapt to each other. It’s clear that once humans transform a technology, they are ultimately themselves transformed by it. If we want to avoid the process taking on a life of its own in the worst sense, weneed to be cautious and develop systems that can adapt to us and support us. Human beings should always be the focal point. However, I actually take a very positive view of digitalization. There´s also influence to my way of working. The conception of an image changed with the new options of digital image processing. An image currently consists often of a malleable accumulation of small colored squares, pixels, comparable to a mosaic without fixed tesserae. Nothing is impossible and everybody is able to change images very easyly into desired shapes. In some series of the past I was working on a way to transfer this new conception of an image, the new color and metonymy to oil paintings. The figures, scenery and stories conceptualized in my pictures changed their meaning in every new version I created by using parts and fragments. An example is given by the oil painting series „Sensations“ (2014). “Sensations” shows buildings and ruins from the Staufer era. The decomposition of the image into “pixels,” transferring oil painting into tessellated, abstract color squares – the landscape remains realistic – references the rapid pace of the digital world. It develops its own new aesthetic in communication with the here and now.

 

 

Turkish Coffee, Video, 3.20 min, 2017: For this video work Jan-Hendrik Pelz visited a fortune teller on April 8, 2017, in Istanbul, who uses coffee grounds to read clients’ futures according to the age-old tradition. Although they are a part of Turkish culture, fortune tellers, like the one the artist consulted, have been banned and subject to sanctions since 1925 throughout the country. Nevertheless, they work secretly, in back-rooms, private residences, and in coffee houses.In the performance, Pelz asks the oracle the following questions: “How will future relations between Germany and Turkey develop? What will happen after April 16, 2017, the day of the presidential referendum?”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Currency Note, Performance, 2010: In 2014, during a performance at the Europa sculpture in front of the EU parliament as well as in front of the European Central Bank in Brussels, Jan-Hendrik Pelz sold an edition of “Currency Note”. The edition of 100 signed and numbered ten Euro notes was sold to pedestrians for half of the value of the notes’ cash value, for five Euro.
Painting By Numbers 2016_LR
Painting By Numbers, oil on canvas, 30 x 30 cm, 2016. Employee: Christoph Rosenberger, Book: Clean Code: A Handbook of Agile Software Craftmanship, Writer: Robert C. Martin, Sentence 3, page 20: The words have frightfully similar shapes. “Paintings by Numbers“ consists of 75 oil paintings and was developed in cooperation with a Swiss IT agency. The staff was asked to name a book which had strongly influenced or characterized their work. The managing director selected a page and sentence number, always the third sentence from page 20 of each of the books chosen by the 75 participants. With employee involvement, ideas for the translation of the sentences into images emerged, which Pelz, in a second step, realized as a series of oil paintings

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photo: Satoko Toyoda Copyright © Jan Pelz 2016 All rights reserved.
Manifestina March Performance, 50 Protest-Paintings, 2016 Oil, acrylic, ink on canvas, wood: Manifestina is a project initiated by Maurizio Cattelan and Christian Jankowski featuring unconventional artistic projects of artists in Zurich during the Biennale „Manifesta 11“ 2016. In “Manifestina March” Pelz, together with a group of protesters, equipped with 50 painted placards and signs demonstrates against Manifestina itself. After a protest march through the inner-city of Zurich the whole protest squad go by ship across the Zurich lake. The boundaries between performance, demonstration and non-stationary image exhibition blur. A series of uncontrollable, performative situations, linked to multiple levels of association, sprang from the realization of the event in a public space and the confrontation with passersby. Photo: Satoko Toyoda
Copyright © Jan Pelz 2016 All rights reserved.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

See more of his work at Jan-Hendrik Pelz.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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07.03.18
Tour

Antonia Bañados – Emerging Artist of the Week

19.01.18
Artists

Stephan Jäschke – Emerging Artist of the Week

09.01.18
Tour

Jan-Hendrik Pelz – Emerging Artist of the Week

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